Why Be Good?
Sep 06 7:30pm PT
Add to Calendar 09/06/2014 19:30 09/06/2014 19:30 America/Los_Angeles Why Be Good? U.S. Restoration PremiereIn her final silent film, Colleen Moore plays a wild flapper with a dubious reputation, who, after a vivacious night of dancing, finds herself romantically linked to her boss’s son. Why Be Good? contains a Vitaphone soundtrack with sound effects and synchronized music, chiefly hot jazz and Twenties dance music played by such period greats as Jimmy Dorsey, Phil Napoleon,... View More [1] Event Details [2] Get Directions [3] [1] http://www.oscars.org/events/why-be-good [2] http://www.oscars.org/events/why-be-good [3] https://maps.google.com/maps?q=5905+Wilshire+Blvd%2C+Los+Angeles%2C+CA+90036&hl=en&iwloc=near&z=14&t=m 5905 Wilshire Blvd, Los Angeles, CA 90036 Oscars.org | Academy of Motion Picture Arts and Sciences web@oscars.org use-title
Why Be Good?
Why Be Good?

Bing Theatre
5905 Wilshire Blvd
Los Angeles, CA 90036
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U.S. Restoration Premiere
In her final silent film, Colleen Moore plays a wild flapper with a dubious reputation, who, after a vivacious night of dancing, finds herself romantically linked to her boss’s son. Why Be Good? contains a Vitaphone soundtrack with sound effects and synchronized music, chiefly hot jazz and Twenties dance music played by such period greats as Jimmy Dorsey, Phil Napoleon, Joe Venuti and Eddie Lang. The big-budgeted film, filled with beautiful art deco sets, features a young Jean Harlow as a prominent dress extra.

Long believed to be a lost film, it was rediscovered though the perseverance of film historian Joseph Yranski and Ron Hutchinson, the founder of the Vitaphone Project. The search began when Yranski interviewed Moore, who told him that a copy of the film survived in an Italian film archive. Hutchinson was able to find the 16” Vitaphone discs containing the soundtrack, and the task of locating the missing picture began. Gian Luca Farinelli of Cineteca di Bologna contacted Matteo Pavesi of Cineteca Italiana di Milano, who graciously allowed access to the 35mm nitrate dupe negative for the restoration at L’Immagine Ritrovata in conjunction with Warner Bros.

1951, 77 minutes, black and white, 35mm | Directed by William Castle; produced by Leonard Goldstein; written by Frederick Kohner and Fred Brady; with Richard Conte, Julia Adams, Richard Egan, Henry Hull, Fred Clark, Jim Backus, Francis X. Bushman


 

Tickets

$5 general admission  |  $3 Academy members and students with a valid ID.