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Wally Pfister on "2001: A Space Odyssey"
"The Sound of Music" Reunion
"The Goonies" at Oscars Outdoors
Eva Marie Saint and Evans Evans on "Grand Prix"
Bob Bondurant and John M. Stevens on "Grand Prix"
"The Karate Kid" at Oscars Outdoors
"Ferris Bueller's Day Off" at Oscars Outdoors
Omar Sharif's Introduction to "Lawrence of Arabia"
Capturing the Final Frontier: NASA Animation and the Movies
Billy Crystal and Cast of "It's a Mad, Mad, Mad, Mad World"
Richard Gere and "An Officer and a Gentleman"
Hollywood Dogs
The Development of the Digital Animator
A Centennial Tribute to Gene Kelly
Gene Kelly: Choreography and the Camera
Inside the Booth: A Journey through Projection
Celeste Holm's Birthday at "Gentleman's Agreement"
"To Kill a Mockingbird:" 50th Anniversary Screening
"Cavalcade" and Noël Coward
"The Last Picture Show" 40th Anniversary Screening and Reunion
Making Movie Snow in "It's a Wonderful Life"
An Academy Salute to Vanessa Redgrave
Governors Awards Film Series: "The Color Purple"
Governors Awards Film Series: "The Great White Hope"
Governors Awards Film Series: "The Exorcist"
Mary Blair's World of Color- A Centennial Tribute
"Judgment at Nuremberg" 50th Anniversary Screening
"Thelma & Louise" 20th Anniversary Screening and Reunion
Schawn Belston on "Four Sons"
Michael Mortilla, Nicole Garcia and Frank Macchia on creating and performing live music for "7th Heaven"
Janet Bergstrom on "7th Heaven" and William Fox's Legacy
Frank Thompson on "Beau Geste"
Rodney Sauer on performing live music for "Beau Geste"
John Bengtson on location shooting for silent films
Diana Serra Cary on working in silent films
John Bengston on the locations used for "The General"
Clark Wilson on the Allen Theatre Organ
Jeffrey Vance on "Robin Hood" and silent films
Clark Wilson on creating and performing live music for "Robin Hood"
Suzanne Lloyd on the Harold Lloyd legacy
Alexander Rannie on creating and performing live music for "Tol'able David" and "Never Weaken"
Production Design in the 21st Century – Jim Bissell
Production Design in the 21st Century – Jim Erickson
Production Design in the 21st Century – Victor J. Zolfo
Production Design in the 21st Century – Lauri Gaffin
Production Design in the 21st Century – Anne Kuljian
Production Design in the 21st Century – Jeannine Oppewall
Production Design in the 21st Century – Jan Pascale
Production Design in the 21st Century – Leslie Pope
Production Design in the 21st Century – Beth Rubino
Production Design in the 21st Century – Rosemary Brandenburg
Production Design in the 21st Century – William Creber
Production Design in the 21st Century – Lilly Kilvert
Production Design in the 21st Century – Alex McDowell
Production Design in the 21st Century – Kathy Altieri
Production Design in the 21st Century – Scott Chambliss
Production Design in the 21st Century – Harley Jessup
Production Design in the 21st Century – Karen O'Hara
David Naughton on the makeup process for “An American Werewolf in London”
Shane Mahan on creature design for “The Creature from the Black Lagoon”
Greg Cannom on creating Dracula’s makeup for “Bram Stoker’s Dracula”
Perspectives on Editing: Editing technique and the influence of digital technology
Shane Mahan on working with James Cameron on “Terminator 2”
Jon Favreau on shooting practical effects as opposed to using CGI
Lou Arkoff on the importance of “monsters” having real character and human emotions
Phil Tippett on “go motion” and how it is shot
Perspectives on Editing: Anne Coates on editing
Perspectives on Editing: Advice for apprentice editors
Perspectives on Editing: Animation and Documentary Techniques
A Salute to Noël Coward: Ronald Neame Interview
Acting in the Digital Age – The digital impact on acting
Acting in the Digital Age – Stunts, performance capture and the animated landscape
Acting in the Digital Age – Making “Avatar”
Acting in the Digital Age – Comparing digital and theater acting
Acting in the Digital Age – Creating “Benjamin Button”
Acting in the Digital Age – Creating a digital face
Acting in the Digital Age – Andy Serkis on acting in the digital age
Acting in the Digital Age – Andy Serkis on Gollum
Acting in the Digital Age – Andy Serkis on the digital revolution
Hayao Miyazaki – The future of animation
Hayao Miyazaki – Developing an idea
Hayao Miyazaki – Creating original work
Hayao Miyazaki – Childhood
Hayao Miyazaki – Creating a villain
Hayao Miyazaki – Developing a character
Hayao Miyazaki – Depicting the environment
Astronaut as Filmmaker – Introduction by Caleb Deschanel
Astronaut as Filmmaker – VFX Supervisor John Dykstra on the importance of space exploration
Astronaut as Filmmaker – Astronaut Scott D. Altman on planning for lighting in space
Astronaut as Filmmaker – Astronaut Andrew J. Feustel on his first landing
Astronaut as Filmmaker – Astronaut Michael T. Good on camera selection
Astronaut as Filmmaker – Astronaut John M. Grunsfeld on releasing the Hubble Space Telescope
Astronaut as Filmmaker – Astronaut Gregory C. Johnson on his first reaction to outer space
Astronaut as Filmmaker – Astronaut Michael Massimino on cinematography and space
Astronaut as Filmmaker – Filmmaker Toni Meyers on the IMAX 3D camera
Mel Brooks Tribute – Mel Brooks’ final remarks
Mel Brooks Tribute – Mel Brooks on working with other comedians
Mel Brooks Tribute – Mel Brooks takes the stage
Mel Brooks Tribute – Cloris Leachman on Mel Brooks
Mel Brooks Tribute – Lesley Ann Warren on Mel Brooks
Mel Brooks Tribute – Tracey Ullman on Mel Brooks
Mel Brooks Tribute – Teri Garr on Mel Brooks
Hal Ashby Salute – Haskell Wexler on Hal Ashby
Hal Ashby Salute – Seth Rogen on Hal Ashby
Hal Ashby Salute – Jon Voight on Hal Ashby
Hal Ashby Salute – Judd Apatow on Hal Ashby
Hal Ashby Salute – Diablo Cody on “Harold and Maude”
Hal Ashby Salute – Yusuf on meeting Hal Ashby
Hal Ashby Salute – Samples from Yusuf’s live performance
Dick Smith Tribute – Video greeting from Richard Taylor, Guillermo del Toro and Peter Jackson
Bergman Tribute – Barbra Streisand on the Bergmans
Bergman Tribute – Marilyn Bergman on how she and Alan met
Bergman Tribute – Dave Grusin on the Bergmans
Bergman Tribute – James Newton Howard on the Bergmans
Mel Brooks Tribute – Richard Benjamin on Mel Brooks
Mel Brooks Tribute – Carl Reiner on Mel Brooks
Mel Brooks Tribute – Leonard Maltin on Mel Brooks
Mel Brooks Tribute – Welcome from Academy President Sid Ganis
Hal Ashby Salute – Cameron Crowe on the significance of a soundtrack
Hal Ashby Salute – Yusuf on singing
Bergman Tribute – Quincy Jones Opening Remarks
Bergman Tribute – Welcome from Academy President Sid Ganis
Milt Kahl – The Animation Michelangelo – Richard Williams on Kahl
Milt Kahl – The Animation Michelangelo – Observing Kahl in Action
Milt Kahl – The Animation Michelangelo – An innate Ability to Animate
Milt Kahl – The Animation Michelangelo – Milt Kahl’s “Process”
Milt Kahl – The Animation Michelangelo – Receiving criticism from Kahl
Milt Kahl – The Animation Michelangelo – First impressions of Kahl
Milt Kahl – The Animation Michelangelo – Meeting “The Legend”
Milt Kahl – The Animation Michelangelo – The Animation Teacher
Milt Kahl – The Animation Michelangelo – Marc Davis and Kahl
Milt Kahl – The Animation Michelangelo – Being animated by Kahl
Milt Kahl – The Animation Michelangelo – Milt Kahl – The Father
Akira Kurosawa – Film Artist
The Academy Toons in Animation