Academy Announces Nicholl Screenwriting Fellowship Finalists for 2008

Beverly Hills, CA (October 13, 2008) — Thirteen writers have been selected as finalists for the 23rd annual Don and Gee Nicholl Fellowships in Screenwriting, presented by the Academy of Motion Picture Arts and Sciences. Their scripts will now be read and judged by the Academy’s Nicholl Committee, which may award as many as five of the prestigious $30,000 fellowships.

This year’s finalists are (listed alphabetically by author):

Jeremy Bandow, Minneapolis, Minnesota, “Hive”
Griffin Broadway, Brooklyn, New York, “An Arabian Tale”
Nancy Froeschle, Portland, Oregon, and Stephen Trow, Calgary, Alberta,
Canada, “The Greater Glory”
Patricia Ann Hale, Brooklyn, New York, “The Home of Positive Thinking”
Christina D. Hammonds Reed, Hacienda Heights, California, “Heart
Problems”
Ken Kristensen and Colin Marshall, Los Angeles, California, “Out of Breath”
Jason A. Micallef, Santa Monica, California, “Butter”
Eric Nazarian, Burbank, California, “Giants”
Lee Patterson, Durham, England, “Snatched”
Becky Peterson and William Bryant, Iowa City, Iowa, “Ross”

The finalists were selected from 5,224 scripts submitted for this year’s competition. The competition is open to any individual who has not sold or optioned a screenplay or teleplay for more than $5,000, or received a fellowship or prize that includes a “first look” clause, an option, or any other quid pro quo involving the writer’s work.

The Nicholl Committee, chaired by writer and 1992 Nicholl fellow Susannah Grant, is composed of writers Naomi Foner, Dan Petrie, Jr., Tom Rickman and Dana Stevens; actor Eva Marie Saint; cinematographers John Bailey and Steven Poster; executive Bill Mechanic; and producers Gale Anne Hurd, David Nicksay, Peter Samuelson, Robert Shapiro and Buffy Shutt.

Fellowships are awarded with the understanding that the recipients will each complete a feature-length screenplay during their fellowship year. The Academy acquires no rights to the works of Nicholl fellows and does not involve itself commercially in any way with their completed scripts.

Since the program’s inception in 1985, 103 fellowships have been awarded, and a number of the fellows have achieved considerable success.  Two 1999 fellows saw their works hit the big screen this year:  Annmarie Morais wrote “How She Move,” which premiered at the 2007 Sundance Film Festival and opened in theaters in January; and Rebecca Sonnenshine co-wrote “The Haunting of Molly Hartley,” which is scheduled to open this month on Halloween.  Sonnenshine also wrote “American Zombie,” released in earlier this year.  Kurt Kuenne, a 2002 fellow, wrote and directed the documentary “Dear Zachary:  A Letter to a Son about His Father,” slated for release later this month.  This year's Tribeca Film Festival hosted the premiere of 2003 Fellow James Mottern's “Trucker,” which he directed from his Nicholl-winning script.

Susannah Grant wrote the adapted screenplay for “The Soloist,” opening in November. She wrote and directed 2007’s “Catch and Release” and in 2000, she received an Academy Award® nomination for her “Erin Brockovich” screenplay. She also earned writing credits on “Charlotte's Web,” “In Her Shoes,” “28 Days,” “Ever After” and “Pocahontas.”

Several other Nicholl fellows have had success in the film industry:

Allison Anders (1986 fellow)
“Things behind the Sun (co-writer-director), 2001
“Mi Vida Loca” (writer-director), 1994
“Gas Food Lodging” (writer-director), 1992
Doug Atchison (2000 fellow)
“Akeelah and the Bee” (writer-director), 2006, Nicholl entry script
Raymond De Felitta (1991 fellow)
“’Tis Autumn: The Search for Jackie Paris” (director), 2007
“The Thing about My Folks” (director), 2005
“Two Family House” (writer-director), 2000, Nicholl fellowship year script
Jacob Aaron Estes (1998 fellow)
“Nearing Grace” (writer), 2006
“Mean Creek” (writer-director), 2004, Nicholl entry script
Ehren Kruger (1996 fellow)
“Blood and Chocolate” (co-writer), 2007
“The Brothers Grimm” (writer), 2005
“The Ring” (writer), 2002
“Scream 3” (writer), 2000
“Arlington Road” (writer), 1999, Nicholl entry script
Andrew W. Marlowe (1992 fellow)
“Hollow Man” (writer), 2000
“End of Days” (writer), 1999
“Air Force One” (writer), 1997
Karen Moncrieff (1998 fellow)
“The Dead Girl” (writer-director), 2006
“Blue Car” (writer-director), 2003, Nicholl entry script
Mike Rich (1998 fellow)
“The Nativity Story” (writer), 2006
“Radio” (writer), 2003
“The Rookie” (writer), 2002
“Finding Forrester” (writer), 2000, Nicholl entry script

In addition, Jeffrey Eugenides, an inaugural year fellow, went on to win a Pulitzer Prize in 2003 for his novel “Middlesex.”

Contact Information

For more information, contact

Tarrah Curtis
(310) 247-3090
tcurtis@oscars.org

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