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Using computer generated imagery (CGI), an
animator can reproduce the three-dimensional
effects of stop-motion photography or the twodimensional
effects of hand-drawn animation. Instead
of pen and ink, paint, clay, paper, or cels, computer
animators use a monitor, computer tools, and
software that includes complex mathematical
formulas. Rather than sketching out characters and
objects like traditional animators, computer animators
build a three-dimensional "model" that can be viewed
from different angles. CGI can imitate camera moves
and angles that would be difficult or impossible to
achieve with traditional cel animation: the swoop from
the chandelier to the dancing couple in the ballroom
scene of Beauty and the Beast, for example. Because of
its ability to mimic reality, CGI is also used to produce
special effects in live-action films. CGI can create
digital tears or blood, embellish backgrounds and sets,
make a small crowd seem large, or touch up the
actors' wrinkles and flaws.
The 1982 film Tron, which combined live action
with animation, was the first film to use CGI on a
large scale. When the Academy instituted the Best
Animated Feature Film award in 2001, the first
ANIMATION: CREATING MOVEMENT FRAME by FRAME
Computer-Generated Image Model
Oscar went to the CGI-animated film Shrek. Early computer
graphics looked unappealingly flat, but recent improvements in
technology make it possible to create more realistic surfaces.The
most difficult task facing the special effects animators who created
the character Gollum for the live-action film The Lord of the Rings:
The Two Towers was developing new computer codes to provide the
creature with translucent, lifelike skin.
Having the use of a computer does not necessarily mean less work
for the animator. It took four years to complete Toy Story, the first
completely CGI-animated feature; coincidentally, it took the same
amount of time for the Disney studio to finish Snow White and the
Seven Dwarfs. CGI may never completely replace traditional animation,
because some animators still prefer the latter's personal touch and slight irregularities. For others, using CGI can be compared to using a
word processor instead of a typewriter for writing, in that the new
tool allows the animator to manipulate ideas and images with greater
freedom.
CGI and stop-motion animated films are sometimes also referred
to as 3D films because those techniques create a more lifelike illusion
of three-dimensional characters and backgrounds. Many animated
features are now stereoscopic films – films with 3D effects.Through
the use of digital equipment, specially designed movie screens and
polarized lenses, viewers are fooled into experiencing a movie as a
three-dimensional space rather than as images on a flat screen.
Part A
Have your students compare hand-drawn or stop-motion
animation to CGI animation, using selections from the following groups
of films. Snow White and the Seven Dwarfs, Lilo & Stitch, The Secret of Kells,
and Fantasia employ hand-drawn cel animation. Coraline and Fantastic
Mr. Fox use stop-motion photography. Happy Feet and Up use CGI
animations.You may also have them compare different scenes within a
particular animated film. Most of Beauty and the Beast was drawn on
cels, but the ballroom scene is a good example of early computer
animation. CGI was used to create the stampede scene in The Lion
King, an otherwise hand-drawn film. Ask your students if they notice
differences between CGI and traditional animation. Have them
consider why animators might choose a traditional method of
animation if CGI animation can duplicate traditional effects.
Part B
Each year, an outstanding array of new animated films is
released. Some are especially appropriate for families, some are
appealing to teens, and some are geared toward adult audiences. If you
or the parents of your students feel that some, or even all of this
year's nominated films might be inappropriate for viewing by young
people, you can modify this activity. Ask your students to view one of
the films nominated for achievement in animation and analyze it in
terms of how its storytelling, character development, and animation
contributed to the total effect of the film. Students may also view
Academy Award-nominated and -winning films from past years to
complete the exercises. A list of those films appears at the beginning
of this teacher's guide.
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